約 5,998,067 件

• オペラ対訳プロジェクト - Weber,Carl Maria von/Oberon+/II

  https://w.atwiki.jp/oper/pages/1168.html

  ZWEITER AKT ERSTE SZENE Ein prächtiger Saal im Palast Harun al Raschids in Bagdad. Harun al Raschid sitzt auf seinem Thron, um den Babekan und die Grossen des Reiches stehen. Leibwachen sind rechts und links zur Seite aufgestellt. Vor dem Thron, mit gekreuzten Armen, Diener CHOR Ehre! Ehre! Ehre! Ehre! Ehre sei dem mächt gen Kalifen und Preis! Beugt euch, Gläub ge, tief in den Staub vor seiner Macht! Fluch treff den Ungläub gen, der es wagt zu trotzen ihm, Wenn er, sowie der Morgen lacht, entfliehen sieht die Nacht. Ehre sei dem grossen Kalifen und Preis! BABEKAN beugt sein Knie vor dem Kalifen Grosser Herrscher aller Gläubigen! Deine Tochter Rezia ist nicht nur das Kind des weisesten Fürsten auf dieser Welt. Sie ist auch ihr schönstes Mädchen. Ich kann mich vor Ungeduld nicht fassen … HARUN AL RASCHID Du bist klug und höflich, Prinz Babekan. Du wirst bald König von Persien sein, dann bist du der mächtigste unserer Freunde. Aber Frauen beugen sich lieber vor einer anderen Macht der Liebe. BABEKAN Ich will alles tun, damit sich das Herz Rezias mir zuneigt. HARUN AL RASCHID Dann streng deinen Kopf an, Prinz Babekan! Wie wir es unserer Rezia recht leicht machen, dass sie dir als ihrem Herrn folgt. Sei erfinderisch … BABEKAN Ich will sie nicht wie eine Beute fordern, und sei sie die kostbarste. Nein, es soll sein … HARUN AL RASCHID fällt lachend ein … oder doch so scheinen … BABEKAN … als folge sie ihrer freien Wahl! Fordere sie nur auf, sie möge auf den Mann zugehen, dem sie sich in Liebe ergibt. Dann wird sie leichter wollen … HARUN AL RASCHID … was sie muss. Du bist recht klug, Babekan! Ballett DROLL Während des Tanzes treten Hüon und Scherasmin - als arabischer Fürst und dessen Diener verkleidet - in den prächtigen Saal des Palastes ein, rechtzeitig zu Rezias Bräutigamwahl. Rezia geht zunächst einige Schritte in Prinz Babekans Richtung. Plötzlich aber, wie von unsichtbarer Macht gelenkt, kehrt sie sich zur anderen Seite und geht auf Hüon zu. Hüon und Rezia haben sich gefunden! Der Kalif und Prinz Babekan sehen ihren Plan durchkreuzt. Als sie aber Hüon und Scherasmin von der Palastwache festnehmen lassen wollen, bläst Hüon in Oberons Zauberhorn. Sogleich versinken die Angreifer in tiefe Erstarrung - Hüon und Rezia retten sich in den Palastgarten. Und Scherasmin, der Schelm, hat vorher nicht versäumt, die schöne Sklavin Fatime durch einen Kuss wieder zu erwecken. Fatime erwacht sogleich aus der Erstarrung und lächelt ihm freundlich zu SCHERASMIN Mir scheint, das gefällt dir? Also da capo! küsst sie noch einmal! FATIME packt ihn und zieht ihn mit Komm. SCHERASMIN Wohin, mein schönes Kind? FATIME Zu Rezia und deinem Herrn. ZWEITE SZENE Dichter Garten hinter dem Palast des Kafifen SCHERASMIN in zärtlicher Umarmung mit Fatime Das ist eine reizende Skala! Mit einem Kuss wirst du von einer Statue zu einem zärtlichen Schatz, mit dem zweiten bist du schon anhänglich. Was wird das erst beim zehnten und hundertsten Kuss sein? FATIME Du hast doch nur Unsinn im Kopf! SCHERASMIN Oh … jetzt hab ich überhaupt erst einen Sinn in dem ganzen orientalischen Abenteuer gefunden! Seit ich einen so bildhübschen Unsinn im Arme habe. FATIME Du hast noch gar nicht gesagt, ob du mich liebst? SCHERASMIN Ob ich dich liebe? Warte mal! tut, als müsse er scharf nachdenken Wenn dich einer fragt, schmeckt dir dieser Wein? Was wirst du tun? Du wirst ihn kosten! So mach ich s auch! Ich koste dich. küsst sie FATIME Und ob ich dich lieb habe? Das willst du gar nicht wissen? SCHERASMIN Was ich nicht weiss, macht mir nicht heiss. Aber was mir heiss macht, das weiss ich. Allerdings - jetzt fällt mir dazu etwas Schreckliches ein. lässt sie los FATIME Was hast du, Scherasmin? SCHERASMIN Vielleicht liebst du mich nur in Bagdad, weil du immer im Harem eingesperrt warst? FATIME schmiegt sich an ihn Hab keine Sorge. Ich bin treu, wenn ich einmal liebe. SCHERASMIN Oh. So kokett ist man nur, wenn man lügt … Ariette FATIME Arabiens einsam Kind, Der Wüste Mädchen bloss, Die Künste nicht bekannt mir sind, Zu ziehn der Liebe Los. Arabiens einsam Kind, Der Wüste Mädchen bloss, Gleich abgepflücktem Blatt bin ich, Das auf dem Bache schwimmt; Ein Weilchen, dann verliert es sich Spurlos, wie s ihm bestimmt. Doch wenn mich Freundes Hand Dem Wellenspiel entriss , Und trüg mich in ein fernes Land, Blüht ich ihr neu gewiss. Und Nachtigall wohl trennt man eher Von ihrer Rose ab, Als ich des Herzens Ruhe stört , Wo Lieb mir Heimat gab. SCHERASMIN Das ist schön von dir, Fatime. Aber damit dir die Liebe eine neue Heimat gibt, dazu müssen wir vorerst einmal in der Heimat sein. Rezia und Hüon kommen in grosser Eile von der anderen Seite HÜON Rasch. Scherasmin! Wir müssen uns zu den Schiffen durchschlagen, bevor alle erwachen! SCHERASMIN zieht Fatime hinter ich her Höchste Zeit, dass wir uns aus dem Staub machen, bevor sie uns in den Staub werfen. HÜON aufjubelnd Askalon! Meine Heimat! Oberon macht Droll ein Zeichen, ihm zu folgen, beide verschwinden im Dunkeln SCHERASMIN in übermütiger Laune Nach Askalon! Gnädige Prinzessin Rezia, und du meine muntere Fatime, wisst ihr, was das heisst? Nach Frankreich geht es! Quartett HÜON UND SCHERASMIN Über die blauen Wogen, Über die Fluten hier, Stern von Arabiens Töchtern, Sprich, willst du ziehn mit mir? Sprich! REZIA UND FATIME Hätten die Wogen nicht Grenzen, Nicht Küste die Meerflut hier, Doch zöge Arabiens Tochter Furchtlos dahin mit dir. ALLE VIER An Bord denn! - An Bord denn, an Bord! Fort, da der Himmel rein, Und günstig weht der Wind! Die Herzen sind treu wie unser Boot, Und hell von Hoffnung, Wie Segel in der Sonne Schein! An Bord, an Bord, da der Himmel rein! An Bord, an Bord, da günstig weht der Wind! An Bord, an Bord, an Bord! DRITTE SZENE Kurze Felsenlandschaft. Es ist finster. Nur Puck allein ist in ihr zu erkennen Solo, Chor und Sturm PUCK beschwörend den Lilienstengel schwingend Geister der Luft und Erd und See! Geister der Glut in heil ger Höh ! All, die gebieten Flut und Wind, Kommt hierher, ihr Geister, geschwind! Ob ihr gebannt in die Höhlen ein, Karg nur beleuchtet von Demantschein; Oder in den Wassern tief, Wo die Perl gefesselt schlief; Oder dort in Himmeln weit, Wo kein Auge Beistand leiht; Oder im Spalt eines Felsens dort, Wo die Lava kocht noch immer fort; Geister, wo immer auch eu r Revier, Kommt hierher, ihr Geister, kommt hierher zu mir! Es ruft euch, Geister, nah und fern, Durch mich Gebot eures Oberherrn! Luft-, Erd-, Wasser- und Feuergeister, Sylphiden, Feen eilen in verschiedenfarbigen Verhüllungen von allen Seiten herbei; die Feuergeister tragen brennende Fackeln. Puck in der Mitte. Die Geister umringen ihn mit lebhaften Gebärden CHOR DER GEISTER Wir sind hier! Wir sind hier! Sprich, was soll geschehn? Soll n wir spalten den Mond? Soll n wir verfinstern die Sonn ? Soll n wir schaffen den Ozean von Grunde aus leer? Sprich! Wir tun s, und noch viel mehr! PUCK Nein! Nein! Ihr braucht nur vorderhand Ein Boot zu schleudern in den Strand; Da Feenmacht dies tun nicht kann, Such ich bei euch um Beistand an. CHOR DER GEISTER Nichts als das? lachend Ho, ho! Ho, ho! Ho, ho! Leicht re Arbeit nie ich sah. Wog und Wind! - Hoch auf und hohl! Horch! - Geschehn. - Leb wohl! Leb wohl! Donner und Blitz. Puck und die Geister verschwinden, woher sie gekommen. Es wird dunkel. Die Felsenlandschaft verschwindet unauffällig nach oben. Unter dem Leuchten der Blitze erscheint ein ödes Felsengestade am Meeresufer. Gewitterdunkelheit. Rechts ein Felsenlager, hinter dem ein Pfad nach oben führt. Ein Sturm rast unter Donner und Blitz über die Wasserfläche, und ein Wrack wird von rechts nach links vorübergetrieben Sturmmusik Gebet HÜON kniend Vater! Hör mich flehn zu dir! Schon , o schon die Blüte hier! Und muss es sein, so treff dein Donnerschlag allein Nur mich, der schuld an dieser Pein! Schon , o schon die Blüte hier! Vater, hör mich flehn zu dir! Schon , o schon die Blüte hier! REZIA erwacht langsam Hüon! HÜON Rezia! Du lebst! REZIA richtet sich auf Wo sind wir, Hüon? HÜON Der Sturm hat unser Schiff zerstört, und die Brandung hat uns hierher geworfen. REZIA Warum rufst du nicht unseren Freund Oberon? HÜON Ich habe das Horn verloren. Aber … wendet sich nach rechts Ich will vom nächsten Hügel ausschauen. Vielleicht wohnen Menschen in der Nähe. Oder ich bringe Wasser und Früchte. geht rasch ab Rezitativ und Ozean-Arie REZIA Ozean, du Ungeheuer! Schlangen gleich Hältst du umschlungen rund die ganze Welt! Dem Auge bist ein Anblick voll Grösse du, Wenn friedlich in des Morgens Licht du schläfst! Doch wenn in Wut du dich erhebst, o Meer, Und schlingst die Knoten um dein Opfer her, Zermalmend das mächtige Schiff, als wär s ein Rohr, Dann, Ozean, stellst du ein Schreckbild dar. – Die Wellen werden etwas ruhiger und heller Noch seh ich die Wellen toben, Durch die Nacht ihr Schäumen schleudern, An der Brandung wild gehoben, Jede Lebenshoffnung scheitern! – Die durch die Gewitternacht verdrängte Abendsonne zerteilt in einzelnen Strahlen die Wolken Doch, still! Seh ich nicht Licht dort schimmern, Ruhend auf der fernen Nacht, Wie des Morgens blasses Flimmern, Wenn vom Schlaf er erwacht? Die Wellen werden immer ruhiger Heller nun empor es glühet In dem Sturm, dess Nebelzug Wie zerrissne Wimpel fliehet, Wie wilder Rosse Mähnenflug! - Die Abendsonne strahlt hell und voll am Himmel Und nun die Sonn erstrahlt! Die Winde lispeln leis; Gestillter Zorn wogt nur im Wellenkreis. Wolkenlos strahlt jetzt die Sonne Auf die Purpurwellen nieder, Wie ein Held nach Schlachtenwonne Siegreich eilt zur Heimat wieder. - Das Meer wird ganz ruhig, und die untern Wolkenschichten zerteilen sich Ach, vielleicht erblicket nimmer Wieder dieses Aug ihr Licht! Lebe wohl, du Glanz, für immer! Denn für mich erstehst du nicht. - Die Sonne geht unter. Ein Schiff zieht entfernt von rechts nach links vorüber Doch was glänzt dort schön und weiss, Hebt sich mit der Wellen Heben? s ist die Möwe, sie schweift im Kreis, Wo die Flut raubt ein Leben! Nein - kein Vogel ist s! - Es naht! Heil! Es ist ein Boot, ein Schiff! Und ruhig segelt s seinen Pfad, Ungestört durch das Riff. – O Wonne! Mein Hüon! Zum Ufer herbei! Sie nimmt den Schleier ab, der sie umhüllt, und gibt damit nach dem Schiffe hin ein Zeichen Schnell! Schnell! Diesen Schleier! Er weht! O Gott, sende Rat! Sie sehn mich! Schon Antwort! Sie rudern mit Macht! Hüon! Hüon! Hüon! – Mein Hüon! Mein Gatte! Die Rettung, sie naht! Rettung naht! Rettung naht! Rettung naht! Sie will nach links hinten ab DROLL Doch Rezia hat sich getäuscht Es ist ein Seeräuberschiff! Nicht die erhoffte Rettung naht, sondern eine neue schwere Prüfung steht bevor. Die Piraten fangen Rezia und schleppen sie auf das Schiff. Abdallah, der Anführer, wird sie seinem Herren, Almansor, dem Emir zu Tunis, als Sklavin verkaufen. Hüon, von den Piraten niedergeschlagen und schwer verwundet, bleibt am Ufer zurück. Da erscheint über dem Meere, in einem Muschelboot von zwei Schwänen gezogen, Oberon … Oberons Ankunft Das Boot schwebt ans Ufer, der König der Elfen steigt aus und beugt sich über den wie leblos daliegenden Hüon DROLL Er tut mir so leid. ODERON Mir scheint, du willst ihm schon wieder helfen? DROLL Ja, grosser König. Aber gerade darum bitte ich dich, ihm auch weiterhin kein Leid zu ersparen. Denn nur so kann er zum Ziele kommen. OBERON Sieben Tage soll er im Traum liegen. Und dann bring ihn nach Tunis. Dort soll er im Garten des Palastes aufwachen und wieder gesund und kräftig sein. DROLL Sein Körper! Aber sein Herz muss leiden … OBERON Ja, bis er die letzte Probe besteht … Und jetzt lass uns heimkehren. DROLL Darf ich etwas anderes raten, grosser König? Du musst etwas nachholen. OBERON Hier am Meer? DROLL Ja, gerade hier, wenn du nicht zürnst. Wegen der Liebenden hast du das Meer bewegt. Erlaube, dass ich nun auch für deine treuen Elfen ein Meeresschauspiel ausdenke und in Bewegung setze. OBERON nickt Gut, mein kluger Droll. Droll bewegt nach allen Seiten seinen Lilienstengel. Meermädchen tauchen aus den Fluten auf und wogen darin hin und her. Puck erscheint mit ihnen und tritt zu Droll PUCK Sieh, die Meermädchen! Oberon, dein Reich beginnt! ERSTES MEERMÄDCHEN O wie wogt es sich schön auf der Flut, Wenn die müde Welle im Schlummer ruht! Leise verschwand der Sonnenschein, Und sich die Sterne dort oben reih n. Und sich der Nachthauch hebt so sanft und mild, Düfte entatmend aus fernem Gefild. O wie wogt und singt sich s hold, Trocknend der nassen Locken Gold. Oberon und Puck wenden sich nach hinten ZWEITES MEERMÄDCHEN O wie wogt es sich schön auf der Flut, Wenn die stille Nacht ihr am Busen ruht! Der Wächter lehnet im Dämm rungsschein Über dem Turm, den die Zeit stürzt ein, Bekreuzt sich, murmelt ein frommes Gebet Und horcht auf das Lüftchen, das zaub’risch weht. O wie wogt und singt sich s hold, Trocknend der nassen Locken Gold. PUCK vortretend Meister, sprich! Es ist getan! Soll n wir tanzen auf dem Plan, Oder in der Mädchen Sang Mischen froher Lieder Klang? OBERON Besser n Lohn verdient hast du, Ich verweil und seh ihm zu. PUCK UND OBERON bewegen ihre Lilienstengel Hierher, hierher, ihr Elfen all! Kommt, tanzt nach der Nymphen melod schem Schall! Eilt und beweiset den Mädchen der Flut, Dass die Geister der Erde auch froh und gut. Kommt so reizend und seid so schön, Wie Blüten im Hauche des Sommers wehn. Hierher! Hierher! Hierher, ihr Elfen all, Tanzt nach der Nymphen melod schem Schall! Aus dem Wasser tauchen Meermädchen auf und kommen ans Land; von beiden Seiten, von oben und unten zeigen sich Nymphen, Elfen und Feen; zuletzt von oben Luftgeister mit transparenten Sternen PUCK, NYMPHEN, SYLPHIDEN, MEERMÄDCHEN, LUFTGEISTER Wer blieb im korallenen Schacht, Wenn der Mond auf stillen Wogen lacht, Und die Sterne schmücken das blaue Haus, Wo nächtlich sie gehn, wandern ein und aus? Wohlgemut! Wohlgemut segelt fort! Über der See glühn, so mild sie dort, Über der See glühn so blass sie dort! Wohlgemut! Wohlgemut segelt fort! Wer blieb im korallenen Schacht, Wenn der Mond auf stillen Wogen lacht, Und die Sterne schmücken das blaue Haus, Wo nächtlich sie wandern ein und aus? Wohlgemut! Wohlgemut segelt fort! Über der See glühn so mild sie dort! Wohlgemut! Wohlgemut segelt fort! OBERON, ELFEN Wer schlief in der Lilie Schoss, Wenn der Mond scheint über Wald und Moos, Und die Sterne schmücken das blaue Haus, Wo nächtlich wandern sie ein und aus? Wohlgemut! Wohlgemut tanzen wir! Ufer entlang bei der hellen Zier, Bei der hellen Zier tanzen wir! Wohlgemut! Wohlgemut tanzen wir! Der Meeresgott zieht auf einem mit Wassergeistern gruppierten, mit Wasserblumen und Schlingpflanzen verzierten Fahrzeug herbei; von rechts und links nahen Wassernymphen mit Blütenstäben in den Händen; die Blumen und Blüten flammen alle plötzlich auf in glühendem Licht ZWEITER AKT ERSTE SZENE Ein prächtiger Saal im Palast Harun al Raschids in Bagdad. Harun al Raschid sitzt auf seinem Thron, um den Babekan und die Grossen des Reiches stehen. Leibwachen sind rechts und links zur Seite aufgestellt. Vor dem Thron, mit gekreuzten Armen, Diener CHOR Ehre! Ehre! Ehre! Ehre! Ehre sei dem mächt gen Kalifen und Preis! Beugt euch, Gläub ge, tief in den Staub vor seiner Macht! Fluch treff den Ungläub gen, der es wagt zu trotzen ihm, Wenn er, sowie der Morgen lacht, entfliehen sieht die Nacht. Ehre sei dem grossen Kalifen und Preis! BABEKAN beugt sein Knie vor dem Kalifen Grosser Herrscher aller Gläubigen! Deine Tochter Rezia ist nicht nur das Kind des weisesten Fürsten auf dieser Welt. Sie ist auch ihr schönstes Mädchen. Ich kann mich vor Ungeduld nicht fassen … HARUN AL RASCHID Du bist klug und höflich, Prinz Babekan. Du wirst bald König von Persien sein, dann bist du der mächtigste unserer Freunde. Aber Frauen beugen sich lieber vor einer anderen Macht der Liebe. BABEKAN Ich will alles tun, damit sich das Herz Rezias mir zuneigt. HARUN AL RASCHID Dann streng deinen Kopf an, Prinz Babekan! Wie wir es unserer Rezia recht leicht machen, dass sie dir als ihrem Herrn folgt. Sei erfinderisch … BABEKAN Ich will sie nicht wie eine Beute fordern, und sei sie die kostbarste. Nein, es soll sein … HARUN AL RASCHID fällt lachend ein … oder doch so scheinen … BABEKAN … als folge sie ihrer freien Wahl! Fordere sie nur auf, sie möge auf den Mann zugehen, dem sie sich in Liebe ergibt. Dann wird sie leichter wollen … HARUN AL RASCHID … was sie muss. Du bist recht klug, Babekan! Ballett DROLL Während des Tanzes treten Hüon und Scherasmin - als arabischer Fürst und dessen Diener verkleidet - in den prächtigen Saal des Palastes ein, rechtzeitig zu Rezias Bräutigamwahl. Rezia geht zunächst einige Schritte in Prinz Babekans Richtung. Plötzlich aber, wie von unsichtbarer Macht gelenkt, kehrt sie sich zur anderen Seite und geht auf Hüon zu. Hüon und Rezia haben sich gefunden! Der Kalif und Prinz Babekan sehen ihren Plan durchkreuzt. Als sie aber Hüon und Scherasmin von der Palastwache festnehmen lassen wollen, bläst Hüon in Oberons Zauberhorn. Sogleich versinken die Angreifer in tiefe Erstarrung - Hüon und Rezia retten sich in den Palastgarten. Und Scherasmin, der Schelm, hat vorher nicht versäumt, die schöne Sklavin Fatime durch einen Kuss wieder zu erwecken. Fatime erwacht sogleich aus der Erstarrung und lächelt ihm freundlich zu SCHERASMIN Mir scheint, das gefällt dir? Also da capo! küsst sie noch einmal! FATIME packt ihn und zieht ihn mit Komm. SCHERASMIN Wohin, mein schönes Kind? FATIME Zu Rezia und deinem Herrn. ZWEITE SZENE Dichter Garten hinter dem Palast des Kafifen SCHERASMIN in zärtlicher Umarmung mit Fatime Das ist eine reizende Skala! Mit einem Kuss wirst du von einer Statue zu einem zärtlichen Schatz, mit dem zweiten bist du schon anhänglich. Was wird das erst beim zehnten und hundertsten Kuss sein? FATIME Du hast doch nur Unsinn im Kopf! SCHERASMIN Oh … jetzt hab ich überhaupt erst einen Sinn in dem ganzen orientalischen Abenteuer gefunden! Seit ich einen so bildhübschen Unsinn im Arme habe. FATIME Du hast noch gar nicht gesagt, ob du mich liebst? SCHERASMIN Ob ich dich liebe? Warte mal! tut, als müsse er scharf nachdenken Wenn dich einer fragt, schmeckt dir dieser Wein? Was wirst du tun? Du wirst ihn kosten! So mach ich s auch! Ich koste dich. küsst sie FATIME Und ob ich dich lieb habe? Das willst du gar nicht wissen? SCHERASMIN Was ich nicht weiss, macht mir nicht heiss. Aber was mir heiss macht, das weiss ich. Allerdings - jetzt fällt mir dazu etwas Schreckliches ein. lässt sie los FATIME Was hast du, Scherasmin? SCHERASMIN Vielleicht liebst du mich nur in Bagdad, weil du immer im Harem eingesperrt warst? FATIME schmiegt sich an ihn Hab keine Sorge. Ich bin treu, wenn ich einmal liebe. SCHERASMIN Oh. So kokett ist man nur, wenn man lügt … Ariette FATIME Arabiens einsam Kind, Der Wüste Mädchen bloss, Die Künste nicht bekannt mir sind, Zu ziehn der Liebe Los. Arabiens einsam Kind, Der Wüste Mädchen bloss, Gleich abgepflücktem Blatt bin ich, Das auf dem Bache schwimmt; Ein Weilchen, dann verliert es sich Spurlos, wie s ihm bestimmt. Doch wenn mich Freundes Hand Dem Wellenspiel entriss , Und trüg mich in ein fernes Land, Blüht ich ihr neu gewiss. Und Nachtigall wohl trennt man eher Von ihrer Rose ab, Als ich des Herzens Ruhe stört , Wo Lieb mir Heimat gab. SCHERASMIN Das ist schön von dir, Fatime. Aber damit dir die Liebe eine neue Heimat gibt, dazu müssen wir vorerst einmal in der Heimat sein. Rezia und Hüon kommen in grosser Eile von der anderen Seite HÜON Rasch. Scherasmin! Wir müssen uns zu den Schiffen durchschlagen, bevor alle erwachen! SCHERASMIN zieht Fatime hinter ich her Höchste Zeit, dass wir uns aus dem Staub machen, bevor sie uns in den Staub werfen. HÜON aufjubelnd Askalon! Meine Heimat! Oberon macht Droll ein Zeichen, ihm zu folgen, beide verschwinden im Dunkeln SCHERASMIN in übermütiger Laune Nach Askalon! Gnädige Prinzessin Rezia, und du meine muntere Fatime, wisst ihr, was das heisst? Nach Frankreich geht es! Quartett HÜON UND SCHERASMIN Über die blauen Wogen, Über die Fluten hier, Stern von Arabiens Töchtern, Sprich, willst du ziehn mit mir? Sprich! REZIA UND FATIME Hätten die Wogen nicht Grenzen, Nicht Küste die Meerflut hier, Doch zöge Arabiens Tochter Furchtlos dahin mit dir. ALLE VIER An Bord denn! - An Bord denn, an Bord! Fort, da der Himmel rein, Und günstig weht der Wind! Die Herzen sind treu wie unser Boot, Und hell von Hoffnung, Wie Segel in der Sonne Schein! An Bord, an Bord, da der Himmel rein! An Bord, an Bord, da günstig weht der Wind! An Bord, an Bord, an Bord! DRITTE SZENE Kurze Felsenlandschaft. Es ist finster. Nur Puck allein ist in ihr zu erkennen Solo, Chor und Sturm PUCK beschwörend den Lilienstengel schwingend Geister der Luft und Erd und See! Geister der Glut in heil ger Höh ! All, die gebieten Flut und Wind, Kommt hierher, ihr Geister, geschwind! Ob ihr gebannt in die Höhlen ein, Karg nur beleuchtet von Demantschein; Oder in den Wassern tief, Wo die Perl gefesselt schlief; Oder dort in Himmeln weit, Wo kein Auge Beistand leiht; Oder im Spalt eines Felsens dort, Wo die Lava kocht noch immer fort; Geister, wo immer auch eu r Revier, Kommt hierher, ihr Geister, kommt hierher zu mir! Es ruft euch, Geister, nah und fern, Durch mich Gebot eures Oberherrn! Luft-, Erd-, Wasser- und Feuergeister, Sylphiden, Feen eilen in verschiedenfarbigen Verhüllungen von allen Seiten herbei; die Feuergeister tragen brennende Fackeln. Puck in der Mitte. Die Geister umringen ihn mit lebhaften Gebärden CHOR DER GEISTER Wir sind hier! Wir sind hier! Sprich, was soll geschehn? Soll n wir spalten den Mond? Soll n wir verfinstern die Sonn ? Soll n wir schaffen den Ozean von Grunde aus leer? Sprich! Wir tun s, und noch viel mehr! PUCK Nein! Nein! Ihr braucht nur vorderhand Ein Boot zu schleudern in den Strand; Da Feenmacht dies tun nicht kann, Such ich bei euch um Beistand an. CHOR DER GEISTER Nichts als das? lachend Ho, ho! Ho, ho! Ho, ho! Leicht re Arbeit nie ich sah. Wog und Wind! - Hoch auf und hohl! Horch! - Geschehn. - Leb wohl! Leb wohl! Donner und Blitz. Puck und die Geister verschwinden, woher sie gekommen. Es wird dunkel. Die Felsenlandschaft verschwindet unauffällig nach oben. Unter dem Leuchten der Blitze erscheint ein ödes Felsengestade am Meeresufer. Gewitterdunkelheit. Rechts ein Felsenlager, hinter dem ein Pfad nach oben führt. Ein Sturm rast unter Donner und Blitz über die Wasserfläche, und ein Wrack wird von rechts nach links vorübergetrieben Sturmmusik Gebet HÜON kniend Vater! Hör mich flehn zu dir! Schon , o schon die Blüte hier! Und muss es sein, so treff dein Donnerschlag allein Nur mich, der schuld an dieser Pein! Schon , o schon die Blüte hier! Vater, hör mich flehn zu dir! Schon , o schon die Blüte hier! REZIA erwacht langsam Hüon! HÜON Rezia! Du lebst! REZIA richtet sich auf Wo sind wir, Hüon? HÜON Der Sturm hat unser Schiff zerstört, und die Brandung hat uns hierher geworfen. REZIA Warum rufst du nicht unseren Freund Oberon? HÜON Ich habe das Horn verloren. Aber … wendet sich nach rechts Ich will vom nächsten Hügel ausschauen. Vielleicht wohnen Menschen in der Nähe. Oder ich bringe Wasser und Früchte. geht rasch ab Rezitativ und Ozean-Arie REZIA Ozean, du Ungeheuer! Schlangen gleich Hältst du umschlungen rund die ganze Welt! Dem Auge bist ein Anblick voll Grösse du, Wenn friedlich in des Morgens Licht du schläfst! Doch wenn in Wut du dich erhebst, o Meer, Und schlingst die Knoten um dein Opfer her, Zermalmend das mächtige Schiff, als wär s ein Rohr, Dann, Ozean, stellst du ein Schreckbild dar. – Die Wellen werden etwas ruhiger und heller Noch seh ich die Wellen toben, Durch die Nacht ihr Schäumen schleudern, An der Brandung wild gehoben, Jede Lebenshoffnung scheitern! – Die durch die Gewitternacht verdrängte Abendsonne zerteilt in einzelnen Strahlen die Wolken Doch, still! Seh ich nicht Licht dort schimmern, Ruhend auf der fernen Nacht, Wie des Morgens blasses Flimmern, Wenn vom Schlaf er erwacht? Die Wellen werden immer ruhiger Heller nun empor es glühet In dem Sturm, dess Nebelzug Wie zerrissne Wimpel fliehet, Wie wilder Rosse Mähnenflug! - Die Abendsonne strahlt hell und voll am Himmel Und nun die Sonn erstrahlt! Die Winde lispeln leis; Gestillter Zorn wogt nur im Wellenkreis. Wolkenlos strahlt jetzt die Sonne Auf die Purpurwellen nieder, Wie ein Held nach Schlachtenwonne Siegreich eilt zur Heimat wieder. - Das Meer wird ganz ruhig, und die untern Wolkenschichten zerteilen sich Ach, vielleicht erblicket nimmer Wieder dieses Aug ihr Licht! Lebe wohl, du Glanz, für immer! Denn für mich erstehst du nicht. - Die Sonne geht unter. Ein Schiff zieht entfernt von rechts nach links vorüber Doch was glänzt dort schön und weiss, Hebt sich mit der Wellen Heben? s ist die Möwe, sie schweift im Kreis, Wo die Flut raubt ein Leben! Nein - kein Vogel ist s! - Es naht! Heil! Es ist ein Boot, ein Schiff! Und ruhig segelt s seinen Pfad, Ungestört durch das Riff. – O Wonne! Mein Hüon! Zum Ufer herbei! Sie nimmt den Schleier ab, der sie umhüllt, und gibt damit nach dem Schiffe hin ein Zeichen Schnell! Schnell! Diesen Schleier! Er weht! O Gott, sende Rat! Sie sehn mich! Schon Antwort! Sie rudern mit Macht! Hüon! Hüon! Hüon! – Mein Hüon! Mein Gatte! Die Rettung, sie naht! Rettung naht! Rettung naht! Rettung naht! Sie will nach links hinten ab DROLL Doch Rezia hat sich getäuscht Es ist ein Seeräuberschiff! Nicht die erhoffte Rettung naht, sondern eine neue schwere Prüfung steht bevor. Die Piraten fangen Rezia und schleppen sie auf das Schiff. Abdallah, der Anführer, wird sie seinem Herren, Almansor, dem Emir zu Tunis, als Sklavin verkaufen. Hüon, von den Piraten niedergeschlagen und schwer verwundet, bleibt am Ufer zurück. Da erscheint über dem Meere, in einem Muschelboot von zwei Schwänen gezogen, Oberon … Oberons Ankunft Das Boot schwebt ans Ufer, der König der Elfen steigt aus und beugt sich über den wie leblos daliegenden Hüon DROLL Er tut mir so leid. ODERON Mir scheint, du willst ihm schon wieder helfen? DROLL Ja, grosser König. Aber gerade darum bitte ich dich, ihm auch weiterhin kein Leid zu ersparen. Denn nur so kann er zum Ziele kommen. OBERON Sieben Tage soll er im Traum liegen. Und dann bring ihn nach Tunis. Dort soll er im Garten des Palastes aufwachen und wieder gesund und kräftig sein. DROLL Sein Körper! Aber sein Herz muss leiden … OBERON Ja, bis er die letzte Probe besteht … Und jetzt lass uns heimkehren. DROLL Darf ich etwas anderes raten, grosser König? Du musst etwas nachholen. OBERON Hier am Meer? DROLL Ja, gerade hier, wenn du nicht zürnst. Wegen der Liebenden hast du das Meer bewegt. Erlaube, dass ich nun auch für deine treuen Elfen ein Meeresschauspiel ausdenke und in Bewegung setze. OBERON nickt Gut, mein kluger Droll. Droll bewegt nach allen Seiten seinen Lilienstengel. Meermädchen tauchen aus den Fluten auf und wogen darin hin und her. Puck erscheint mit ihnen und tritt zu Droll PUCK Sieh, die Meermädchen! Oberon, dein Reich beginnt! ERSTES MEERMÄDCHEN O wie wogt es sich schön auf der Flut, Wenn die müde Welle im Schlummer ruht! Leise verschwand der Sonnenschein, Und sich die Sterne dort oben reih n. Und sich der Nachthauch hebt so sanft und mild, Düfte entatmend aus fernem Gefild. O wie wogt und singt sich s hold, Trocknend der nassen Locken Gold. Oberon und Puck wenden sich nach hinten ZWEITES MEERMÄDCHEN O wie wogt es sich schön auf der Flut, Wenn die stille Nacht ihr am Busen ruht! Der Wächter lehnet im Dämm rungsschein Über dem Turm, den die Zeit stürzt ein, Bekreuzt sich, murmelt ein frommes Gebet Und horcht auf das Lüftchen, das zaub’risch weht. O wie wogt und singt sich s hold, Trocknend der nassen Locken Gold. PUCK vortretend Meister, sprich! Es ist getan! Soll n wir tanzen auf dem Plan, Oder in der Mädchen Sang Mischen froher Lieder Klang? OBERON Besser n Lohn verdient hast du, Ich verweil und seh ihm zu. PUCK UND OBERON bewegen ihre Lilienstengel Hierher, hierher, ihr Elfen all! Kommt, tanzt nach der Nymphen melod schem Schall! Eilt und beweiset den Mädchen der Flut, Dass die Geister der Erde auch froh und gut. Kommt so reizend und seid so schön, Wie Blüten im Hauche des Sommers wehn. Hierher! Hierher! Hierher, ihr Elfen all, Tanzt nach der Nymphen melod schem Schall! Aus dem Wasser tauchen Meermädchen auf und kommen ans Land; von beiden Seiten, von oben und unten zeigen sich Nymphen, Elfen und Feen; zuletzt von oben Luftgeister mit transparenten Sternen PUCK, NYMPHEN, SYLPHIDEN, MEERMÄDCHEN, LUFTGEISTER Wer blieb im korallenen Schacht, Wenn der Mond auf stillen Wogen lacht, Und die Sterne schmücken das blaue Haus, Wo nächtlich sie gehn, wandern ein und aus? Wohlgemut! Wohlgemut segelt fort! Über der See glühn, so mild sie dort, Über der See glühn so blass sie dort! Wohlgemut! Wohlgemut segelt fort! Wer blieb im korallenen Schacht, Wenn der Mond auf stillen Wogen lacht, Und die Sterne schmücken das blaue Haus, Wo nächtlich sie wandern ein und aus? Wohlgemut! Wohlgemut segelt fort! Über der See glühn so mild sie dort! Wohlgemut! Wohlgemut segelt fort! OBERON, ELFEN Wer schlief in der Lilie Schoss, Wenn der Mond scheint über Wald und Moos, Und die Sterne schmücken das blaue Haus, Wo nächtlich wandern sie ein und aus? Wohlgemut! Wohlgemut tanzen wir! Ufer entlang bei der hellen Zier, Bei der hellen Zier tanzen wir! Wohlgemut! Wohlgemut tanzen wir! Der Meeresgott zieht auf einem mit Wassergeistern gruppierten, mit Wasserblumen und Schlingpflanzen verzierten Fahrzeug herbei; von rechts und links nahen Wassernymphen mit Blütenstäben in den Händen; die Blumen und Blüten flammen alle plötzlich auf in glühendem Licht Weber,Carl Maria von/Oberon+/III

• laserpuissant @ ウィキ - pointeur laser bleu

  https://w.atwiki.jp/laserpuissant/pages/12.html

  Mise à jour de mon cas a écrit dans "yeux sont endommagés?" Je suis tombé sur mon compte ici et je suis heureux que le fil a été stickied. Excusez mon immaturité à l époque 6,5 ans après la ~ 0,5 sec exposition directe @ 6 pouces à partir d un "200mW" pointeur laser vert très pas cher qui a vraisemblablement émis principalement IR, je suis efficace, dans tous les sens pratique 100% guéri. Immédiatement après l exposition, la taille de la tache de la vision occlusion totale était de la taille d une gomme à crayon lorsqu il est vu à 12-15 pouces. En d autres termes, il serait bloquer vers le haut de la moitié ou même un mot entier sur un écran d ordinateur ou page lorsque vu à une distance normale. Quelques mois plus tard, la vision est entièrement restaurée avec aucun obstacle résiduel, et 3-4 semaines après l exposition initiale, plus la vision était revenue. Mais, aujourd hui encore, environ une fois par semaine, je vais remarquer la moindre distorsion visuelle, pour quelques secondes, qui me rappellent qu il ya probablement un peu de grappe de dommages résiduels. Il n y a rien de mal que ce soit. Il semble que littéralement juste au coin d un morceau de la poussière sur le bureau sera semblent scintiller noir et blanc, mais après je remarque cela, il est de nouveau normal. Je vois tout le grain, mais il serait juste cette petite aberration présente. La taille est de nouveau inférieure à un pixel sur un écran d ordinateur, quand il est à remarquer. Après je arrêter d essayer de chercher, il disparaît et souvent je ne le trouve pas, même si je regarde pour elle. Je suis capable de voir clairement un seul pixel sur l écran (vous pouvez tester cela en allant de la peinture ou de votre programme de dessin et de l aide de l outil crayon pour placer un seul petit point rouge, vert ou pointeur laser bleu sur une image.) Ce petit rappel me aide beaucoup que je continue à travailler avec des machines beaucoup plus puissantes aux longueurs d onde les plus nocifs. Si je devais ne me suis pas vu à quel point absolument pour acquis que nous prenons une vision normale, je voudrais maintenant ne pas être aussi prudent avec les lasers que je serais avec un pistolet - Il ya des répercussions à vie semblables ici. Cette erreur stupide serait arrivé avec une unité beaucoup plus puissant et je serais un œil. Je souhaite que la lecture de ces messages vous permet d imaginer pour vous et l expérience comment absolument inhibant à la vie normale, même une petite déficience visuelle serait. Si vous étiez toujours absent une gomme à crayon droit spot de taille dans le centre de votre vision, vous pourriez même ne pas être en mesure de conduire en toute sécurité, pour toujours. Je suis juste le passager dans une voiture et je ne pouvais pas dire avec certitude le nom d une rue sur le signe de la rue jusqu à ce que je serais trop près à la piste de changement de tourner le coin. http //hnkjsh.gratisblog.biz/2015/10/20/quels-sont-pointeur-laser-bleu-bon/

• elvis @Wiki - Substores-UnknownASINs-8 527

  https://w.atwiki.jp/elvis/pages/8503.html

  The Mentchkins Make Shabbos Feldheim Pub?　Chaya Leah Rothstein?　 FeldheimPub?　ChayaLeahRothstein?　ジャンル別?　Substores-UnknownASINs-8 Sport Signs Modern Signs Pr?　Harley Hamilton?　Nancy K. Jones?　 ModernSignsPr?　HarleyHamilton?　NancyK.Jones?　ジャンル別?　Substores-UnknownASINs-8 Disabilty Discrimination Act, 1995 (As Modified by Schedule 8 Thereof for Application in Northern Ireland Stationery Office Books?　 StationeryOfficeBooks?　ジャンル別?　Substores-UnknownASINs-8 God Is a Bullet Pan Books?　Boston Teran?　 PanBooks?　BostonTeran?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Literature&Fiction-GenreFiction-Action&Adventure? Poland Between the Wars, 1918-39 Palgrave Macmillan?　Peter D. Stachura?　 PalgraveMacmillan?　PeterD.Stachura?　ジャンル別?　Substores-UnknownASINs-8　Subjects-History-Europe-General? 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Short History American Nation Vol 1 Addison Wesley?　GARRATY?　 AddisonWesley?　GARRATY?　ジャンル別?　Substores-UnknownASINs-8 Short History of the American Nation Vol 2 Prentice Hall College Div?　Garrity?　 PrenticeHallCollegeDiv?　Garrity?　ジャンル別?　Substores-UnknownASINs-8　Subjects-History-Americas-UnitedStates-General? Some Corner Foreign Field Lbus Time Warner International?　James Bentley?　 TimeWarnerInternational?　JamesBentley?　ジャンル別?　Substores-UnknownASINs-8 British Season HB Lbus Little, Brown?　Paul Duncan?　 Little,Brown?　PaulDuncan?　ジャンル別?　Substores-UnknownASINs-8 Caribbean Password Reader the Masqueraders (3d) (Caribbean Password Readers) Macmillan Caribbean?　Claudette Megan Adams?　 MacmillanCaribbean?　ClaudetteMeganAdams?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Nonfiction-Education-Reference-Words&Language-Readers?　Subjects-Reference-Words&Language-Readers? 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Jun Tropical Agriculture W/A Bk 2 Macmillan Education Ltd?　Okorie?　 MacmillanEducationLtd?　Okorie?　ジャンル別?　Substores-UnknownASINs-8 Plantae Wilsonianae An Enumerations of the Woody Plants Collected in Western China (Biosystematics, Floristic Phylogeny Series) Dioscorides Pr?　Ernest Henry Wilson?　Charles Sprague Sargent?　 DioscoridesPr?　ErnestHenryWilson?　CharlesSpragueSargent?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Science-General New York Man undefined　ジャンル別?　Substores-UnknownASINs-8 New York Woman undefined　ジャンル別?　Substores-UnknownASINs-8 Diary Lives and Letters Viking Pr?　William Allinghan?　 VikingPr?　WilliamAllinghan?　ジャンル別?　Substores-UnknownASINs-8 The Arms Race in the 1980's Palgrave Macmillan?　David Carlton?　Carlo Schaerf?　 PalgraveMacmillan?　DavidCarlton?　CarloSchaerf?　ジャンル別?　Substores-UnknownASINs-8　Subjects-History-Military-General? 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• 東方同人CDの歌詞＠Wiki - 03 The other-side

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  【登録タグ SOUND HOLIC T YURiCa 博麗神社境内 曲 魔 -ONI-】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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• elvis @Wiki - Subjects-Professional&Technical-Engineering-General 73

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  Boundary Elements And Other Mesh Reduction Methods XXVIII (Wit Transactions on Modelling and Simulation) Wit Pr/Computational Mechanics?　C. A. Brebbia?　J. T. Katsikadelis?　 WitPr/ComputationalMechanics?　C.A.Brebbia?　J.T.Katsikadelis?　ジャンル別?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Mathematics-Applied-General? Design And Nature III Comparing Design in Nature With Science And Engineering (Wit Transactions on Ecology and the Environment) Wit Pr/Computational Mechanics?　C. A. 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• mrfrtech @ ウィキ - Blockchain Technology Market

  https://w.atwiki.jp/mrfrtech/pages/46.html

  Market Scenario The uplifting concentrations on the decentralization of information and data ledgers have resulted in the escalation of Blockchain technology. This Blockchain Technology Market facilitates the invariableness of the functions of the database by making transparent interactions. The applications produced by Blockchain Technology Industry are gaining speedy mileage and covering a wide range of domains such as retail, healthcare, and BFSI. Also, there’s a huge market opportunity and potential for the Blockchain Technology Market. Therefore, Blockchain is assumed to gain huge popularity in the future years because of its innate nature. According to the expectation of MRFR or Market Research Future, within the review period i.e. from 2018 to 2023, the Blockchain Technology Market will grow at a CAGR of Compound Annual Growth rate of 66.41%. The rising demand for digital identity has resulted in the expansion of Blockchain Technology Market Forecast. The various identity platforms based on blockchain technology have numerous applications in both countries that have weak identification procedures and in unregulated countries. At the national level, the adoption of Blockchain Technology Market Demand-based identification platforms has been performed by various governments to promote transparent and secure transactions across the public and private sectors. Various governments have used blockchain technology at a national level with their e-citizen programs since 2018. Therefore, these countries have been able to develop their identity-related procedures and successfully minimized the bureaucracy. Also, this technology has helped them to digitalize all kinds of public transactions via safe digital identities. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/1708 Competitive Outlook Eminent players profiled in the global blockchain technology report include Deloitte Touche Tohmatsu Limited, IBM Corporation, Hewlett Packard, Enterprise Company, Accenture PLC, Infosys Limited, Cyber Infrastructure Pvt. Ltd, Solulab Inc., Empirica S.A, Microsoft Corporation, Oracle Corporation, and Amazon Web Services, Inc.Segmentation According to the Blockchain Technology Market Analysis, this market can be classified based on the application, service provider, organization size, end-users, and region. By Application The Blockchain technology market is segmented into the following divisions based on the types of application •Payment and transaction •Digital identity •Exchanges •Smart contract •Documentation •Other By Organization Size Based on organization size, the divisions of the Blockchain technology market are •Small enterprises •Medium enterprises •Large enterprises By Service Provider This segment classifies the usage of different Blockchain technology. The divisions are as follows Middleware provider •Application provider •Infrastructure provider •Solution provider •Protocol provider By End-users The Blockchain technology market is segmented into the following divisions based on the end-users. •BFSI •Life sciences and Health care •Telecommunication and IT •Hospitality and travel •Government •Retail •Construction and real estate •Others By Region The segmentation of the worldwide Blockchain technology market based on the region are North America •Europe •Asia Pacific •Rest of the world Regional Analysis According to the Blockchain Technology Market Opportunitiesand trends, in 2018, the North American region has dominated this market and it was estimated at approximately USD 612.3 million. The reason behind such growth is the speedier adoption of these innovative Blockchain technologies in most of the developed nations such as Canada and the United States. Also, the rising adoption of this technology among various verticals including retail, BFSI, government for detection of digital identity, wallet and payment solutions, smart contracts, etc. are assumed to enhance the Blockchain Technology Market Share. Industry Analysis In 2017, the price of the cryptocurrency has jumped to 2.200% within only 11 months and as a result, the funds raised by the various Blockchain start-ups via IOS had surpassed the VC investment in the Blockchain sector. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/block-chain-technology-market-1708 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befbLearning Management System Market By Application (Corporate, Academics), by Deployment (Cloud, On-Premise), by Service (Administration, Performance Management, Content Management, Communication Collaboration) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment

• 毎日新聞問題の情報集積wiki - Tabloid Tidbits: Schoolgirl sex sellers use codes for carnality

  https://w.atwiki.jp/mainichi-matome/pages/711.html

  The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality"「タブロイド面白短編：女子学生売春婦たちはセックスのために暗号を使う」 ソースロンダリングの概要と発見された経路共通経路 Tokyomango から転載 Textually.org から転載 経路が謎 まったく別経路 拡散状況 関連ページ "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality" 「タブロイド面白短編：女子学生売春婦たちはセックスのために暗号を使う」 (2008年1月26日配信) IkebLURV1700Yukichi2JC1 At first glance, the above looks like nothing more than gobbledygook, but Nikkan Gendai (1/23) says it s actually an elaborate code used by a schoolgirl prostitute ring cops broke up this week. IkebLURV1700Yukichi2JC1 一目見ると、上記はわかりにくい専門用語以外の何ものでもないが、日刊ゲンダイ（１月２３日号）は言う、それは実は、警察が今週解散させたある女子学生売春仲間（組織）により使われていた、巧妙な暗号の１つである。 Saitama Prefectural Police have already taken into custody five schoolgirls ranging from junior high school to high school pupils, accusing them of breaking the Matchmaking Site Regulation Law by running a bulletin board offering sexual services performed by junior high and elementary school girls. 埼玉県警はすでに中学生から高校生までの５人の女子学生を拘束（補導）した、中学生と小学生の少女たちによる性的サービスを提供する掲示板を使い出会い系サイト規制法違反として彼女たちを告発した。 More arrests are expected. さらに逮捕者が出ると予想される。 "Prefectural police are poised to arrest a 6th grade schoolgirl who was using this site," an investigation insider tells Nikkan Gendai. "I think it s probably the first time that an elementary school pupil has been arrested for breaking this law." 「県警はこのサイトを使っていたある６年生の女子小学生を逮捕（補導）する用意ができている、」と捜査関係者が日刊ゲンダイに言う。「この法律の違反によって逮捕（補導）される最初の小学生になると思う。」 About 80 percent of those who accessed the site are believed to have been pedophiles or those fixated with young girls. But the posts on the bulletin board were nearly all written in code. そのサイトにアクセスしていた約８０％の人たちは幼児性愛者または少女病的執着者であると考えられている。しかし、その掲示板に投稿されたのほとんどすべては暗号で書かれていた。 Standard procedure was for the first two characters used to resemble the name of a well-known and easily identifiable place, so the above message would have been referring to Tokyo s Ikebukuro entertainment district. 標準的な手順は、最初の２文字はよく知れたそして簡単に特定できる場所名を表すように使われる、よって、上記のメッセージは東京の池袋歓楽街を示しているのであろう。 A heart mark -- or, as in the above case, the letters "LURV" -- signifies the girl s willingness to have sex, the lowbrow tabloid says, adding the next four numbers were the time, according to the 24-hour clock, that she would be able to meet. １つのハートマーク　－　または、上記の場合は、文字”LURV”　－　は少女か喜んでセックスしてくれるということを表す、と低脳タブロイド紙は言う、次に４つの数字は、彼女が会える、時刻を、２４時間表記で付け加える。 Yukichi refers to Yukichi Fukuzawa, the man whose face appears on the 10,000 yen note. The number immediately following his name designates how many 10,000 yen notes the girl is seeking to supply carnal services. 諭吉は福沢諭吉（その男性の顔は１万円札に印刷されている）を示す。彼の名前の直後に続く番号はその少女は肉体的サービスをするにあたって求めている１万円札の枚数を指示する。 JC, meanwhile, is code for Joshi Chugakusei, the Japanese word for junior high schoolgirl. Elementary schoolgirls, incidentally, are "JS" for Joshi Shogakusei, while "JK" stands for Joshi Kosei, or high school girl. The number after the code letters indicates the grade the girl is in. 一方、JCはJoshi Chugakusei（女子中学生にあたる日本語）を示す暗号である。女子小学生は、ついでに紹介すれば、"JS"でありJoshi Shogakuseiを示す、一方、"JK"はJoshi Koseiまたは女子高校生を表す。その暗号文字の後の番号はその少女の学年を示す。 " IkebLURV1700Yukichi2JC1, then, stands for a message meaning First year junior high schoolgirl, can meet for love in Ikebukuro from 5 p.m. with sex costing 20,000 yen," sex business writer Atsushi Tashiro tells Nikkan Gendai. "If there is a heart mark in a girl s mail, it s code for saying that she s willing to have sex for money. If there s a heart mark and a number nearby it in any mails a girl sends, parents should suspect that she s selling her body." それでIkebLURV1700Yukichi2JC1が示すメッセージの意味は「女子中学１年生、セックス代２万円込みで池袋で午後５時から会える、」とセックスビジネス関係作家タシロ　アツシ氏は日刊ゲンダイに言う。「もし、少女のメッセージのハートマークがあれば、その暗号は彼女がお金のためにセックスすることを望んでいることを言っていることである。もし、少女が送るあらゆるメールの中に、ハートマークとその近くに番号があれば、両親は彼女は身体を売っていると疑うべきである。」 (By Ryann Connell) （Mainichi Japan） January 27, 2008 ### 2008年1月26日配信 (未登録記事) Tabloid Tidbits Schoolgirl sex sellers use codes for carnality http //www.crnjapan.com/abuse/aarticles/2008/en/20080122-educ_board_sex_network_tokyo.html Tabloid Tidbits Schoolgirl sex sellers use codes for carnality The Mainichi Shimbun (WaiWai) January 27, 2008 Source http //mdn.mainichi.jp/culture/waiwai/news/20080126p2g00m0dm010000c.html 納品：7/25 ソースロンダリングの概要と発見された経路 解説された暗号例である "IkebLURV1700Yukichi2JC1" で追跡しました。 Tokyomango の段階で、一次ソースは消えています。事件の詳細は曖昧になり、暗号例の解読が文章の中心になります。 さらに、Textually.org の段階で、MDN の名前さえ消え去り、暗号解読と使用目的だけが一人歩きを始めます。 舞台は出会い系サイトであったはずなのに、タイトルにSMS(ショートメッセージサービス)という表記さえ出現します。 詳細は以下をご覧ください。 共通経路 (2008/01/23)　日刊ゲンダイ ↓ (2008/01/27) MDN waiwai "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality" http //mdn.mainichi.jp/culture/waiwai/news/20080126p2g00m0dm010000c.html 日本語の表示された携帯電話の写真あり？ ↓ (2008/01/31) Tokyomango "Text Msg Code for "I m a Japanese School Girl Selling Sex"" http //www.tokyomango.com/tokyo_mango/2008/01/text-msg-code-f.html MDN のリンクあり 大幅に要約 日本語の表示された携帯電話の写真もコピー http //www.tokyomango.com/tokyo_mango/images/2008/01/31/20080126p2g00m0dm008000p_size5.jpg ↓ (2008/02/01) Textually.org "Text Msg Code for "I m a Japanese School Girl Selling Sex"" http //www.textually.org/textually/archives/2008/02/018877.htm Tokyomango のリンクあり Tokyomango から転載 (2008/02/01) Cell Packages "Text Msg Code for “I’m a Japanese School Girl Selling Sex”" http //cellpackages.com/text-msg-code-for-im-a-japanese-school-girl-selling-sex.html Tokyomango のリンクあり (2008/02/01) 文化レベルが高すぎます "IkebLURV1700Yukichi2JC1" http //d.hatena.ne.jp/itoshiki/20080201/p2 Tokyomango のリンクあり (2008/02/01) ShakeWellBeforeUse "Txtshorthand used to sell underage sex" http //www.shakewellbeforeuse.com/2008/02/txtshorthand_used_to_sell_unde.php Tokyomango のリンクあり 日本の女子高生らしい下半身の写真あり　http //www.shakewellbeforeuse.com/images/200405327-001.jpg (2008/02/02) Tambayan.ph "Japanese school girls using codes for selling sex" http //www.tambayan.ph/2008/02/02/japanese-school-girls-using-codes-for-selling-sex/ MDN のリンクあり Tokyomango のリンクあり 日本語の表示された携帯電話の写真もコピー http //www.tambayan.ph/wp-content/uploads/2008/02/kanji-mobile.jpg (2008/02/02) Ring-Weekly Mobile Phone News "Japanese School Girls Using SMS Codes To Sell Sex" http //ring-weekly.blogspot.com/2008/02/japanese-school-girls-using-sms-codes.html Tokyomango のリンクあり タイトルに SMS 追加 内容に SMS 追加 (2008/02/05) ISIS-Inc. Technically, it s about Sex "As ET once said "Be Good"" http //phalligator.blogspot.com/2008/02/as-et-once-said-be-good.html Tokyomango のリンクあり (2008/02/05) Cowboy Caleb "Jap Prostitution Ring Secret Mobile Code Dilemma" http //cowboycaleb.liquidblade.com/index.php/archives/2008/02/05/jap-prostitution-ring-secret-mobile-code-dilemma/ 日本語の表示された携帯電話の写真もコピー http //farm3.static.flickr.com/2004/2243610734_2ed4c52468.jpg (2008/02/29) FEPY "Text Msg Code for “I’m a Japanese School Girl Selling Sex”(title unknown)" http //www.fepy.com/text-msg-code-for-im-a-japanese-school-girl-selling-sextitle-unknown-3505.html MDN のリンクあり Tokyomango のリンクあり 日本語の表示された携帯電話の写真もコピー http //www.tokyomango.com/tokyo_mango/images/2008/01/31/20080126p2g00m0dm008000p_size5.jpg (2008/03/01) mani.lv "Хайтек-проституция" http //www.mani.lv/ikeblurv1700yukichi2jc1/ Tokyomango のリンクあり ロシア語に翻訳 (2008/03/01) vr-maniac "Хайтек-проституция" ｈｔｔｐ //vr-maniac.livejournal.com/2008/03/01/ Tokyomango のリンクあり ロシア語に翻訳 ↓ (2008/08/08) Пессимистические заметки "Хайтек-проституция" ｈｔｔｐ //www.liveinternet.ru/community/lj_vr_maniac/post82218679 Tokyomango のリンクあり ロシア語に翻訳 Textually.org から転載 (2008/01/31) My Mobile Bar "Make your Japanese school girl fantasy come true with just an SMS" http //www.mymobilebar.com/make_your_japanese_school_girl_fantasy_come_true_with_just_an_sms.html Textually.org のリンクあり タイトルに SMS 追加 日本の女子高生らしい写真もコピー http //mymobilebar.com/wp-content/uploads/2008/01/312121008275.jpg (2008/02/01) IntoMobile "Make your Japanese school girl fantasy come true with just an SMS" http //www.intomobile.com/2008/02/01/make-your-japanese-school-girl-fantasy-come-true-with-just-an-sms.html Textually.org のリンクあり タイトルに SMS 追加 日本の女子高生らしい写真もコピー http //images.intomobile.com/wp-content/uploads/2008/02/japskoolgirlsmssex.jpg ↓ (2008/02/01) Phones Review "Japanese school girls arrested for prostitution ring Ads sent via SMS texts" http //www.phonesreview.co.uk/2008/02/01/japanese-school-girls-arrested-for-prostitution-ring-ads-sent-via-sms-texts/ Textually.org のリンクあり IntoMobile のリンクあり タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー http //www.phonesreview.co.uk/wp-content/phoneimages/2008/02/japskoolgirlsmssex.jpg (2008/02/01) Movilae "Fantasías sexuales vía SMS en Japón" http //www.movilae.com/2008/02/01/fantasias-sexuales-via-sms-en-japon Textually.org のリンクあり タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー http //www.movilae.com/wp-content/uploads//2008/02/japskoolgirlsmssex.jpg スペイン語に翻訳 ↓ (2008/02/01) BlogdeMoviles.com.ar "Fantasías sexuales por SMS en Japón" ｈｔｔｐ //www.blogdemoviles.com.ar/fantasias-sexuales-por-sms-en-japon/ Textually.org のリンクあり タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー ｈｔｔｐ //www.blogdemoviles.com.ar/wp-content/uploads/2008/02/japskoolgirlsmssex.jpg スペイン語に翻訳 (2008/11/13) EastAsiaFair "Now available through sms sex" http //www.eastasiafair.com/2008/11/13/now-available-through-sms-sex/ Textually.org のリンクあり タイトルに SMS 追加 日本の女子高生らしい写真もコピー http //www.onigirifair.com/wp-content/uploads/2008/11/onigiri004-now-available-through-sms-sex-c-300x200.jpg 経路が謎 modemlooper　Sorry the post you looking for did not exist or already removed by author http //modemlooper.com/files/japanese-school-girl-sex-cell-phone.html リンク元はすでに消えています。 ↓ (2008/02/05) Hot Diggity Blog "Japanese Schoolgirl Cell Phone Prostitution Ring" http //snagwiremedia.com/hotdiggityblog/2008/02/japanese-schoolgirl-cell-phone.html 謎なヤマンバの写真を追加 http //snagwiremedia.com/hotdiggityblog/2008/02/05/sexy-japanese-schoolgirls-thumb-500x375.jpg (2008/02/05) Sexologia.net "Estudiantes japonesas venden sexo por SMS" http //www.sexologia.net/05-02-2008/noticias/estudiantes-japonesas-venden-sexo-por-sms タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー http //www.sexologia.net/wp-content/uploads/japon.jpg 日本語の表示された携帯電話の写真もコピー http //www.sexologia.net/wp-content/uploads/lurv.jpg スペイン語に翻訳 ↓ (2008/02/08) Femenino.info "Estudiantes japonesas venden sexo por SMS" ｈｔｔｐ //www.femenino.info/08-02-2008/sexologia/estudiantes-japonesas-venden-sexo-por-sms Sexologia.net のリンクあり タイトルに SMS 追加 内容に SMS 追加 日本の女子高生らしい写真もコピー ｈｔｔｐ //www.femenino.info/wp-content/uploads/japon.jpg 日本語の表示された携帯電話の写真もコピー ｈｔｔｐ //www.sexologia.net/wp-content/uploads/lurv.jpg スペイン語に翻訳 (2008/09/13) Japan-mod.Fr "5 élèves arrêter pour prostitution" http //www.japan-mod.fr/news-japon-culture-0-238-eleves-arreter-pour-prostitution.html http //japan-mod.eu/news-japon-culture-0-238-eleves-arreter-pour-prostitution.html フランス語に翻訳 内容に SMS 追加 日本の女子高生らしい写真もコピー http //www.japan-mod.fr/img/image/jap_pros.jpg ↓ (2008/09/16) MANGAS-ANIME "5 élèves arrêter pour prostitution" http //mangas-anime.superforum.fr/japon-f91/5-eleves-arreter-pour-prostitution-t2292.htm Japan-mod.Fr のリンクあり フランス語に翻訳 内容に SMS 追加 日本の女子高生らしい写真もコピー [[http //www.japan-mod.fr/img/image/jap_pros.jpg] まったく別経路 (2008/01/23)　日刊ゲンダイ ↓ (2008/01/27) MDN waiwai "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality" http //mdn.mainichi.jp/culture/waiwai/news/20080126p2g00m0dm010000c.html ↓ (2008/02/03) Asianoffbeat "Japanese Schoolgirl Sex Sellers Use Codes for Carnality" ｈｔｔｐ //www.asianoffbeat.com/default.asp?Display=1476 ↓ (2008/02/05) The Grand Narrative "Japanese Schoolgirl Sex Codes" ｈｔｔｐ //thegrandnarrative.wordpress.com/2008/02/03/japanese-schoolgirl-sex-codes/ ↓ (2008/02/05) East Windup Chronicle "Japanese Schoolgirl Sex Codes" http //eastwindupchronicle.com/japanese-schoolgirl-sex-codes/ 拡散状況 AsianOffbeat ｈｔｔｐ //www.asianoffbeat.com/default.asp?Display=1476 CRNジャパン(日本の子供の人権ネットワーク) http //www.crnjapan.com/abuse/aarticles/2008/en/20080122-educ_board_sex_network_tokyo.html 全文コピー。ページ上の３件目 Nigihara http //www.nigihana.com/forum/showthread.php?t=6961 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2008/01/20080127.php 英語サイト 部分転載：http //asiahaha.com/index.php/japanese-schoolgirl-sex-sellers-use-codes-for-carnality/ 部分転載：http //www.fepy.com/text-msg-code-for-im-a-japanese-school-girl-selling-sextitle-unknown-3505.html http //referenceblog.canalblog.com/archives/2008/01/27/8402489.html 部分転載：http //www.textually.org/textually/archives/2008/02/018877.htm 部分転載：http //www.tokyomango.com/tokyo_mango/2008/01/text-msg-code-f.html http //www.ultimate-fighter.ca/Forum/viewtopic.php?pid=160037 http //worldofschoolgirls.com/main/index.php?option=com_content task=view id=13 Itemid=1 jrocknyc 部分転載：http //jrocknyc.blogspot.com/2008/02/elaborate-code-used-by-schoolgirl.html Blogger：その他 部分転載：http //ring-weekly.blogspot.com/2008/02/japanese-school-girls-using-sms-codes.html Blogger http //kristonikkolo.blogspot.com/2008/02/jaapani-koolitdrukute-mobiilne-seksiri.html http //magnaverse.blogspot.com/2008/02/teeny-boppers-peddling-thier-ass-joshi.html 海外ブログ http //sonletay.vox.com/library/post/schoolgirl-sex-sellers-use-codes-for-carnality.html 南アフリカドメイン ｈｔｔｐ //mybroadband.co.za/vb/archive/index.php/t-107354.html (*1) PeterCH High school girl panties are like the IN thing among chikans (perverts) in Japan and Korea. I dunno bout China, it has repressive laws regarding that sort of stuff. It s pretty doff I think but some girls make a lot of dough selling their Sailor-fuku uniforms and panties to these bura-sera shops. If that keeps them away from prostitution, it s probablya good thing. Since we re talking all this tabloid stuff here, here s more sensationalism "Karate teacher uses below the black belt skills to master schoolgirl seduction" http //mdn.mainichi.jp/culture/waiwai/news/20080221p2g00m0dm019000c.html "Tabloid Tidbits Schoolgirl sex sellers use codes for carnality" http //mdn.mainichi.jp/culture/waiwai/news/20080126p2g00m0dm010000c.html 関連ページ AsianOffbeat Blogger Blogger：その他 CRNジャパン(日本の子供の人権ネットワーク) Japanese Style Noodles Nigihara WaiWai Archive WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：F WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：R WaiWaiの記事を転載した英語サイト：T jrocknyc シーファーが日本を児童ポルノ大国呼ばわりした原因 ソースロンダリング 海外ブログに記事が及ぼした影響

• mrfrtech @ ウィキ - Learning Management System Market

  https://w.atwiki.jp/mrfrtech/pages/90.html

  Learning Management System Market Overview The global Learning Management System Market has been expected to increase at a CAGR of 21.20%, with a value of USD 42.31 billion over the forecasted year of 2027. The learning management system is a web-based application that assists in implementing and administering online training and learning programs. It provides numerous features like a customizable user interface, social learning, mobile compatibility, automation, pre-built and custom courseware and blended learning. It also offers a seamless experience on the front and back, improved efficiency, support for multiple learning methods, and valuable insights. As it is fast, productive, cost-effective and helps to improve learning, the demand for the learning management system market is escalating across the world. The increase in the adoption of the learning management systems for online learning and the inline classes to reduce the costs and the increase in convenience act as major drivers for the market. In addition, the increase in the penetration of smartphones coupled with the fast internet connectivity, rise in the preference among the consumers for the learning management systems and massive adoption of this system among the educational institutes accelerate the learning management systems market growth. However, the high prices of courses and unstable internet connections in the remote areas decrease the market s growth. The demand for smart and interactive learning platforms like electronic learning, open online courses, mobile education and online tutorials is rising remarkably with the growing preference for training and learning sessions. The educational institutes adopt tools to support and enhance the learning process and teach efficiencies. At the same time, the novel coronavirus pandemic caused the temporary closure of the entire market sectors around the world. The crisis has dramatically changed the entire education system, and it has escalated the demand for online learning platforms. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/1858 Competitive Landscape The global market report discussing the challenges of the learning management system market includes latest changes initiated by companies like Blackboard, Inc. (U.S.), Edmodo (California), SAP SE (Germany), IBM Corporation (U.S.), Oracle Corporation (U.S.), McGraw-Hill Education (U.S.), Xerox Corporation (U.S.), D2L Corporation (Canada), Cornerstone On demand, Inc. (U.S.), and Saba Software, Inc. (U.S.). MRFR analysts have included a study of these changes to understand how the market can proceed further. Segmentation The global market has been segmented into five basic categories user-type, deployment model, delivery mode, application, and regional analysis. With the user type, the market is divided into two categories academic corporate. According to the deployment model section, the market is further divided into cloud-based and on-premise. By the delivery mode, it is further classified into two sections distance learning and instructor-led training. As per the application section, the learning management system market is classified into four parts administration, content management, performance management, etc. With the regional analysis part, the global market has been classified into five parts Asia-Pacific, Europe, North America, South America and Middle East Africa. Regional Analysis The driving factor for the growth of the learning management system market in North America is the presence of the learning management system platform pioneers like Docebo and iSpring, which successfully offer services to big and SMEs. The mobile learning initiatives and the policy implications in America indicate that the mobile learning efforts in Canada and the United States are generally school or district-led. North America is likely to hold the market for the learning management system due to the rising of high-tech activities across the entire region. The United States has a large number of colleges and universities. These factors would create huge opportunities for the players to expand their businesses in such a region. The Asia-Pacific is likely to showcase the strongest growth ever in the forecast period. China, India, Japan, Indonesia, Australia and several other developing regions focus on investing in the online education sectors. Industry News In February 2020, the Chinese e-learning leaders like TAL Education Group and GSX Techedu had raised around USD 3.2 million to promote e-learning technology across the entire region. Access Report @https //www.marketresearchfuture.com/reports/learning-management-system-market-1858 Table of Content 1. Report Prologue 2. Introduction 2.1 Definition 2.2 Scope of The Study 2.2.1 Research objective 2.2.2 Assumptions 2.2.3 Limitations 2.3 Market Structure Continued… List of Tables Table 1 Global Learning Management System Market (Usd Billion) Table 2 Global Learning Management System Market, By Services Table 3 Global Content Management Market, By Region Table 4 Global Performance Management Market, By Region Table 5 Global Administration Market, By Region Continued… List of Figures Figure 1 Research Process Figure 2 Drivers of Global Learning Management System Market Figure 3 Global Learning Management System Market By Services (%) Figure 4 Global Learning Management System Market By Application (%) Figure 5 Global Learning Management System Market Share By Region 2020-2027 (%) Continued… Similar Report***** Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com/

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  Engineering Mechanics Dynamics Mcgraw-Hill College?　Joseph F. Shelley?　 Mcgraw-HillCollege?　JosephF.Shelley?　ジャンル別?　Substores-UnknownASINs-2?　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-General?　 ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-MechanicalEngineering-Materials? Engineering Mechanics McGraw-Hill Education?　Joseph F. Shelley?　 McGraw-HillEducation?　JosephF.Shelley?　ジャンル別?　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-General?　 ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-MechanicalEngineering-Materials? Viscous Flow (Mcgraw Hill Series in Mechanical Engineering) Mcgraw-Hill College?　Frederick S. 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